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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Third Cinema ： ウィキペディア英語版 Third Cinema Third Cinema ((スペイン語:Tercer Cine)) is a Latin American film movement that started in the 1960s–70s which decries neocolonialism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money. The term was coined in the manifesto ''Hacia un tercer cine'' (''Towards a Third Cinema''), written in the late 1960s by Argentine filmmakers Fernando Solanas and Octavio Getino, members of the ''Grupo Cine Liberación'' and published in 1969 in the cinema journal ''Tricontinental'' by the OSPAAAL (Organization of Solidarity with the People of Asia, Africa and Latin America〔Octavio Getino. "Some notes on the concept of a 'Third Cinema'", in Martin, Michael T. ''New Latin American Cinema'' vol. 1. Wayne State University Press, Detroit 1997.] 〕). ==Definition== Solanas and Getino's manifesto considers 'First Cinema' to be the Hollywood production model that promulgates bourgeois values to a passive audience through escapist spectacle and individual characters. 'Second Cinema' is the European art film, which rejects Hollywood conventions but is centred on the individual expression of the auteur director. Third Cinema rejects the view of cinema as a vehicle for personal expression, seeing the director instead as part of a collective; it appeals to the masses by presenting the truth and inspiring revolutionary activism. Solanas and Getino argue that traditional exhibition models also need to be avoided: the films should be screened clandestinely, both in order to avoid censorship and commercial networks, but also so that the viewer must take a risk to see them.〔David Bordwell and Kristin Thompson, ''Film History: An Introduction'', 2nd edtn. (McGraw-Hill, 2003), 545.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Third Cinema」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.